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Some Thoughts on Liebelei and Letter from an Unknown Woman
In Liebelei (1933), one of the motifs that undercuts the idea that this is simply a tearjerker is that of the key. Until Fritz (Wolfgang Liebeneiner) finally leaves the Baroness von Eggersdorf (Olga Tschechowa), the Baroness holds the key to … Continue reading
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Tagged gender and desire, letter from an unknown woman, liebelei, Max Ophuls
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