Coming soon!

Notes on E.A. Dupont’s Piccadilly (1929), with Anna May Wong, Powell and Pressburger’s The Small Back Room (1949), and Fritz Lang’s The Big Heat (1953), plus contemporary Italian cinema and the hegemony of neorealism vs. efforts to make films that differ.

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About Therese

Feminist, film scholar, animal lover, licensed and bonded cat-sitter.
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